107 Projects is known for housing some of the most experimental, quirky and post-modern works in Sydney’s independent theatre scene. Upon taking my seat and observing a cartoonish and deliberately makeshift set of the Garden of Eden, it was obvious that Johnny Cobra’s Floating Roadshow would not disappoint in upholding this reputation.
Presented by new comedy collective Johnny Cobra, the Floating Roadshow is a farcical, tight and extremely energised cabaret that takes what we would perceive as four common and unremarkable themes or fables and completely subverts them. A feminist earth-mother Eve brings a new edge to the story of Adam and Eve, capitalism takes centre stage in the story of our beloved St Nick and the relationship between a young man and his housecat exposes a new meaning of co-dependence.
As a devised work, the company has done a remarkable job of creating a performance that is relevant and accessible to its immediate demographic. Themes and references are intentionally tailored to an inner-west, early to mid twenties audience. Whilst there is little substance or ideological transaction within the four plays, the artists have produced a show that has their audience in belly laughs and gasps as the level of absurdity increases in each escalation of the narrative. Director Tommy Green stars in the show alongside Jessica Murphy, Jed Clarke, James Hartley and James Shepherd. The ensemble work together and support each other beautifully; the level of comedy delivered and sustained by each of them is impressive and their energised commitment to the ridiculous is truly exceptional.
The stripped back exposure of stage crew and kitschy set elements contribute to the strong satire embedded in the show. The simple yet effective design elements and costumes are supported by a clean lighting design (Tom Matthews) that allows us to shift and snap into each new scene and hilarious transition.
Johnny Cobra’s The Floating Roadshow plays at 107 on the 23rd and 30th of August, 2018. It is relatable, ridiculous and an excellent evening of laughter.
M. Osborn – Theatre Now
