!!TN Syd Reviews

Theatre Now Sydney Review: Things I Know to be True

Alana's Score: 4.5 roses Here are a few things I know to be true after seeing this show: 2019 is proving to be a cracking year...

Theatre Now Sydney Review: Sweeney Todd – The Demon Barber of Fleet Street

Kate's Score: 4 meat pies We begin with a séance. And it is a brilliant, clever concept from director Theresa Borg. The Victorians of Britain had...

Theatre Now Sydney Review: 30 Years of Sixty Five Thousand [Bangarra]

Lynden's Score: 4.5 stars 30 Years of Sixty Five Thousand celebrates Bangarra's 30th anniversary, highlighting old and new (for Bangarra) pieces. Act one, Unaipon is a...

Theatre Now Sydney Review: Gloria

Mark's Score 5 stars I am not familiar with the works of Branden Jacobs - Jenkins, the 35-year-old American playwright who seems to have made...

Theatre Now Sydney Review: The Cherry Orchard

Kate's Score: 2.5 Chekhovian Guns Anton Chekhov (or Chekov) offered in The Cherry Orchard, his last play, a picture of the Russian landowning class in...

Theatre Now Sydney Review: Mercury Fur

Fiona's Score: 3.5 Stars Drugs, sex, violence, nihilism, fantasy, memory and story-telling make for an unforgettable night in Phillip Ridley’s seminal play Mercury Fur. It...

Theatre Now Sydney Review: Collaborators

Liz's Score: 3.5 Stars The New Theatre opened its doors in 1932 as the Sydney Workers Art Club with the slogan “Art is a Weapon”. ...

Theatre Now Sydney Review: Normal

Mark's Score: 4 stars The springboard for Katie Pollock’s new play is that of a curious incident that began in August 2011 in a small...

Theatre Now Sydney Review: Puffs

Alana's Score: 3.5 Golden Snitches The Boy Who Lived. Quidditch. Hogwarts. Harry Potter. Any of these sound familiar? Then you’re in for a laugh-out-loud treat...

Theatre Now Sydney Review: The Market is a Wind Up Toy

Kate's Score: 4 Allen Keys If ever there was a paean to consumerism, it would have to be Ikea, the company that invested acquiring stuff with...
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Theatre Now Review: Mountain Goat Mountain

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Theatre Now: SlipStream

"Slipstream is not a clear narrative, it doesn’t follow...

Theatre Now Review: HUSTLEPUSS

"Ellen Morning and Naomi Klemens are electric as Noa...