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Theatre Now Review: Good Dog

Felicity's Score: 4.5/5 Barks Arinze Kene’s Good Dog is a revolt against concrete notions of good and bad, with Green Door Theatre treating us to...

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Theatre Now Sydney Review: First Love is the Revolution

Felicitiy's Score: 4.5/5 Molehills Rita Kalnejais (BC, Babyteeth) writes of blood, love, and lust, in the electrifying First Love is the Revolution presented by Griffin...

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Theatre Now Review: The Choir Of Man

Oliver's Score: 4 / 5 stars “Choir of Man” is a love letter to the classic, idealism of the pub environment, where everyone knows your...

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Theatre Now Review: The House at Boundary Road Liverpool

Mark's Score 3 / 5 Stars The press release for this work is what whetted my appetite: ‘The House at Boundary Road Liverpool is a...

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On The Screen Review: National Theatre Live – A Midsummer Night’s Dream

Con's Score: 4 Flying Fairies In this latest National Theatre Live productions, we’re taken into the pit of ‘the round’ of the Bridge Theatre for...

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On The Page Review: The Art of Dying by Ambrose Parry

One of Dr. Simpson’s cases has died and he is being blamed for the woman’s death. Is it just jealous colleagues smearing his name...

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Theatre Now Review: The Underpants

Felicity's Score: 3/5 pantaloons The Underpants at the Seymour Centre positions itself as a rambunctious comedy from the genius of Steve Martin, and Anthony Gooley...

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Theatre Now Review: Baby Doll

Veronica's Score: 3/5 Released in 1956, the film Baby Doll, a collaboration between Tennessee Williams and Elia Kazan, saw the usual suspects pounding the pulpit...

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Theatre Now Review: Johnny Cobra’s Jurassic Arc

Madelaine's Score: 3/5 Monty Python, Meme culture and Indiana Jones’ wardrobe walk into bar; except it’s not a bar, it’s the infamous Giant Dwarf Theatre...

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2020 Adelaide Writers’ Week announces first round of authors and programs

Press Release: On The Page In 2020, Adelaide Writers’ Week the second from Director Jo Dyer, contemplates one of the few things that incontrovertibly unites us...

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