On The Screen

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TN On The Screen Review: The House With a Clock in its Walls

2.5 Jack (Black) lanterns The long title tells you this isn’t a serious story, especially with Jack Black in the credits. If it’s haunted houses,...

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Theatre Now On The Screen: McQueen

Con's Score: 4 catwalks I’d always thought of artists as being actors, writers, painters etc. I never thought that fashion designers could fall into this...

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Theatre Now Review [On The Screen]: The Book Club

Con's Score:2.5 Shades of Grey This film draws together a range of acting legends in this story of four older women who are life-long friends Writer-director...

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Theatre Now Review [On The Screen]: The Insult

Con's Score: 4.5 Dog Whistles This Lebanese film (which has a lot of French investment) was nominated for an Academy award and won the audience...

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Theatre Now: On The Screen – C’est La Vie

Con's Score:3.5 Dum-dum dee-dum’s Weddings always make great fodder for movies. The time pressure, the elaborate details, the number of guests, the building to the...

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TN’s On The Screen: Macbeth – National Theatre Live

Con's Score:3.5 Damned spots The London National Theatre Live have gone with an old favourite of Shakespeare’s, with the Great Scottish play, as they say in...

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OTT Movie Review: The Breaker Upperers

In this high energy, cringe-while-you-laugh buddy film of the Winter, Jackie van Beek and Madeleine Sami write, direct and star in the story of...

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Theatre Now – On The Screen Review: Equalizer 2

Alastair's Score: 2/5 From the beginning, Antoine Fuqua’s Equalizer 2 is an exercise in contradictions. This is the first time for both Fuqua and Denzel...

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On The Screen Reviews: You Were Never Really Here

Jonathan Ames and Lynne Ramsay on any credit list guarantee a dynamic duo of narrative storytelling. One is a prolific crime-fiction author-cum-exhibitionist, and the...

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On The Screen Review: Touch Me Not [Sydney Film Festival]

Adina Pintilie’s first feature gained attention this year after leaving Berlinale with the coveted Golden Bear. Despite many eyes on it. Touch Me Not...

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