Monthly Archives: September, 2018

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Theatre Now – On The Screen: The Seagull

Con's Score:2 Voddies Anton Chekhov wrote some great plays which had multiple multi-layered characters, storylines and meanings, which make his stories attractive to actors and...
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Theatre Now Review – Stalker: The Musical

Love. It hurts. It is a battlefield. It is a many splendored thing. It changes everything. It is a losing game. It is in...
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Theatre Now Review: Evita

Evita started life as a rock opera concept album in 1976. Andrew Lloyd Webber and Tim Rice then approached Harold Prince and he agreed to...
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Theatre Now Review: The Merchant Of Venice [Globe]

The world’s first full-scale working replica of Shakespeare’s Globe theatre has popped up in the middle of Sydney. What a thrill! It’s theatre like...
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Theatre Now Review: Luna Gale

Baby Luna is alone. Her parents are junkies, incapable of looking after her. They let her get sick, and now she’s in state care....
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Theatre Now Review: Wharf Revue – Deja Revue

The Wharf Revue is an institution of the Sydney Theatre scene and has many faithful followers. Written and created by Jonathan Biggins and Drew...
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TN On The Screen Review: The House With a Clock in its Walls

2.5 Jack (Black) lanterns The long title tells you this isn’t a serious story, especially with Jack Black in the credits. If it’s haunted houses,...
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Theatre Now Review: BK Opera’s Mozart’s Abduction

BK Opera's latest production of Mozart's Abduction starts in the foyer. There is a pre show atmosphere created with actor interaction and a music...
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Theatre Now Review: The Misanthrope

Justin Fleming's latest foray into Molière comes in the form of The Misanthrope. But more fool you if you go into this production expecting...
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Theatre Now On The Screen: McQueen

Con's Score: 4 catwalks I’d always thought of artists as being actors, writers, painters etc. I never thought that fashion designers could fall into this...
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Theatre Now – On Sounds: Woollahra Philharmonic Orchestra – GRANDEUR Spring Program

We are in the front row and just a metre in front of us, so close if we reach out we could touch them...
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Theatre Now Review: Everyone I’ve Ever Loved Or Slept With Or Both

“In the end we’re all just sinew and instinct.” The Blood Moon Theatre has made its claim as a promising venue for Sydney Fringe...
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